movement, sound, visual language
our projects
Every Jolda performance is a unique fusion of movement, sound, and visual language — bold, experimental, and emotionally charged.
We create original works that explore the boundaries of dance and contemporary theatre.
Сollaboration with Nefeli Papadimouli & JDT and Almaty Museum of Arts. 09.09.2025.
Performance DREAM COAT at the opening of the Almaty Museum of Arts.
Inspired by Greek mythology—particularly the myth of Orpheus and the god Hypnos—as well as the visual languages of Etel Adnan, Henri Matisse’s Dance, and the circular movements of whirling dervishes, the Dream Coat project presents dreams as a space where everyone comes together.
Performance by: Nefeli Papadimouli
performance artists:
Madina Bespaeva
Ivan Mozhaykin
Artur Galimullin
Kanat Imangaliyev
Nadezhda Shapovalova
Nurgul Alpysbaeva
Vladislav Platonov
Jeanne Tulendy
Kseniya Mukshtadt
Olya Li
Producers (JDT): Mikhail Prikhodko, Jeanne Tulendy
Art Manager (JDT): Sabina Satiyeva
Opening Live Programme was curated by Anne Davidian
Thank you Inga Lace | Evgeniya Smelova | Arystan Ergazinov
Photo: Vladimir Yarotsky, Zarina Zoman
TAMYR (roots in Kazakh)
A POETIC RITUAL FROM CENTRAL ASIA
A Universal Language from Central Asia
JOLDA is a contemporary dance theatre rooted in Central Asia that blends tradition with modernity. Our performances speak through dance — a universal language that transcends borders and cultures.
With flexible staging, our works adapt to both traditional and unconventional spaces. We weave together ethnic instruments like the qobyz and shanqobyz, live vocals, and original compositions, creating a rich sonic landscape. Paired with signature choreography and striking visuals, JOLDA offers immersive experiences that celebrate local heritage while engaging global audiences.
Surfactant, a performance directed by Anton Shmakov, was selected as a finalist for UMAI 2024 Award — the Kazakhstan National Theatre Award — in the category "Discovery of the Year."
In 2024, JOLDA’s video performance MERGER received international recognition and was shortlisted by The Alpine Fellowship award. Selected as one of the top 50 works out of 1,800 submissions worldwide, the piece stood out for its originality and artistic depth.